A Museum is a Theatre of Time.
A collection of objects, a collective receiver, a historical
sender, a stationary institution housing and staging the collection, a
professional staff responsible for research on the objects and retrieval
of objects according to a selective definition of the collection from reference
to historical facts, a strategy of temporary exposition (exhibitions) developed
by the same staff. This institutional frame can be considered as a conflict
between the hermeneutic dimension (research and interpretation: the objects
are signs of some historical facts) and the aesthetic dimension (reception
from principles of interest: beauty, enigma, communication, entertainment).
And therefore the hermeneutics of things past (opposing communication)
meets an aesthetics of things present on the museal location (the stage)
(Derived from: Nordisk Museologi
1995/1: SUMMARY pp. 17-24)